Bias Cut Floral Maxi Dress - OEM

The Cathy Dress from Rixo, a bias cut maxi dress in a lightweight viscose crepe with a hand-painted blue and white floral, fluttery cap sleeves, a V-neck, an empire waist and a concealed side zip, listed at 235 GBP with all five sizes in stock. It is worth beginning with the stock, because this garment corrects something this run has assumed. It is worth then reading it, which is five sizes and five in stock. It is worth then recalling what the run has found on most garments, which is that the chart's first column cannot be bought. It is worth then stating what this does, which is that it shows a full chart is possible, and the run had been treating the partial one as the norm. It is worth then turning to the chart. It is worth then reading the sleeve, which is 14, 14, 14, 15 and 15. It is worth then reading the steps, which are 1, 0, 1 and 0. It is worth then stating what the run has never measured before, which is a zero. It is worth then recalling how this run sorts every column, which is into graded or frozen. It is worth then stating what this column is, which is neither, because it moves and stops and moves and stops. It is worth then saying what that forces, which is a third box, and it is worth then saying what that does to the frozen columns, which is that some of them may be stuttering columns read too coarsely. It is worth then turning to the chest. It is worth then reading it, which steps 2, 2, 4 and 4, so it speeds up as the size rises, where most garments slow down. It is worth then reading the ease off it, which is 1.65, 1.22, 0.80, 1.94 and 3.09. It is worth then stating what that shape is, which is a fall and then a rise, and the Bethea in this same batch rises and then falls. It is worth then turning to the model. It is worth then reading what is given, which is a height and a size. It is worth then reading the height precisely, which is 173.5 centimetres. It is worth then reading the chart, which is given in whole centimetres. It is worth then stating what that means, which is that the house measures its model ten times more finely than it measures its clothes. The reference is the Cathy dress. Dongguan Bafinasa Garments Co., Ltd. develops comparable dresses on OEM and ODM terms, from fabric and trim development to retail or FBA ready packing. We publish this as a development reference and build your own version of it, and we do not supply the branded original or reproduce anyone else's label.

Key Features

• All five sizes in stock at the time of writing, which corrects an assumption this run has carried. See the note below
• Model given as 173.5 cm wearing a UK 8, a height stated to a tenth of a centimetre. See the note below
• Bias cut as stated, for drape, with no measurement method and no hung figure. See the note below
• Cap sleeves as stated, at 14 cm, which puts a number on a sleeve word. See the note below
• Maxi length as stated, at 137 cm, five centimetres from the midi in this same batch. See the note below
• 100% Viscose as stated, one fibre, with no composition line for any trim or lining. See the note below
• Hand-painted floral as stated, with no print scale, no repeat and no colourway count given
• Dry clean only as stated, with no temperature, no cycle, no drying instruction and no iron instruction. See the note below

Customisable Options

• Cloth: a 100% viscose crepe to the reference with the weight in grams per square metre and the weave density stated, or a silk crepe with the momme stated, or a viscose and silk blend with both shares stated, or a recycled viscose with the certification named, each quoted separately
• Cut: a bias cut to the reference, with the measurement method stated and the relaxed and hung figures both published. See the note below
• Sleeves: cap sleeves to the reference at 14 cm, with the sleeve width and the armhole stated, or a short, elbow or long sleeve with the length and width stated, each quoted separately
• Fit and grading: a bias cut fit to the reference with every column graded evenly, or a regular fit with every column graded evenly and the ease published, each quoted separately
• Length: a maxi length to the reference at 137 cm, with the front and back length given separately and the length graded across the sizes, or a midi or knee length with the same treatment, each quoted separately. See the note below
• Lining: lined to the reference with the lining fibre stated on its own line, or unlined with that stated, each quoted separately. See the note below
• Composition with every share stated and any lining given its own line, fabric weight in grams per square metre and weave density, relaxed and hung chest figures with the measurement method stated, chest and waist with the flat or round method stated, sleeve length with its measurement point stated and its grading published, sleeve width, armhole and cuff opening, front and back length graded evenly, waist position from the shoulder, neck depth and width, print scale, repeat and colourway count, zip length, shrinkage figures, colour fastness to washing and rubbing, a care label with a temperature as a number, the cycle, and drying and iron instructions, size set, colour development, private label and care labelling

Specifications

Size Chart as Published by the Reference

The pit to pit figures are flat half measures taken with the dress laid down, doubling to 88, 92, 96, 104 and 112 cm around, or 34.65 to 44.09 in. Against bodies of roughly 33 to 41 in, the ease at the chest runs 1.65, 1.22, 0.80, 1.94 and 3.09 in, and this run derives that a grade of g centimetres flat moves the ease by 0.79g minus 2 inches per size, which gives minus 0.42 on the two 2 cm steps and plus 1.16 on the two 4 cm steps, matching the chart. Note that the ease falls and then rises, and the turn is exactly where the chest step doubles from 2 to 4, so the shape of the ease curve is the shape of the grading series and nothing else. Note that the ease at a size 12 is 0.80, which sits inside this run's fitted band, on a garment that uses no fit word at all. Note that the sleeve steps 1, 0, 1 and 0, so it contains a zero step, which this run has never measured before, and a column that moves and stops and moves again fits neither of the run's two boxes. Note that the length is 137 cm on all five sizes, so it is frozen, and the word maxi is five centimetres from the midi on another dress from this same house in this batch, and neither dress moves its length across five sizes. Note that the dress is cut on the bias and no measurement method or hung figure is given. No waist, hip, shoulder width, sleeve width or cuff is published, no fit word is given, there is no size conversion and no fabric weight, and the model gives a height and a size and no other figures. Our proposal below publishes the relaxed and hung chest, grades every column evenly, and states a fit word.

Our Proposed Body Chart

Occasions and Styling

Suits weddings, race days and summer occasions. A bias cut maxi in a fluid crepe with a hand-painted floral and fluttery cap sleeves carries a full day, and the empire waist suits a range of shapes.

Production and Quality Control

The reference publishes three measurements for all five sizes, holds all five in stock, states one fibre at full share, gives a model with a height and the size she wears, names its length, sleeves, cut, neck, waist and closure, names its pattern, states a cleaning method, and names its country of manufacture, and it carries five photographs and six bullets. It gives no lining line for a garment whose companion in this batch says unlined, so silence here is not the same as absence, no waist measurement or waist position for a garment built around an empire waist, no hip, shoulder width, sleeve width or cuff opening, no sleeve measurement point, no neck depth or width, no print scale, repeat or colourway count, no zip length, no fabric weight or weave density although the prose calls the cloth lightweight, no measurement method or hung figure for a bias-cut garment, no fit word, no size conversion, no figure beyond a height for the model, no temperature as a number, no cycle, no drying instruction, no iron instruction and no shrinkage figure, and no certification. Three things follow: a zero step, which breaks this run's two-box sorting of every column; an ease curve that falls and rises where the Bethea rises and falls, which settles that the curve is a grading choice and not a fit; and a model measured ten times more finely than the cloth.

One, zero, one, zero, and that is the first thing, and it is worth saying how this run sorts columns before saying what this does to it. It is worth then stating the sorting, which is that every column is either graded or frozen, and the run has used those two boxes on every garment. It is worth then reading the sleeve, which is 14, 14, 14, 15 and 15. It is worth then reading the steps, which are 1, 0, 1 and 0. It is worth then stating what the zero is, which is a step this run has never measured, having measured hundreds and every one of them 1, 2, 3 or 4. It is worth then stating what this column is, which is neither graded nor frozen, because it moves and stops and moves and stops. It is worth then saying what that forces, which is a third box. It is worth then saying what that does to the run's past work, which is that some of the columns it called frozen may be stuttering columns read too coarsely, and the run cannot tell which, because a garment with two sizes hides a zero step completely. It is worth then turning to the chest. It is worth then reading it, which steps 2, 2, 4 and 4, and stating what is unusual, which is that it speeds up, where most garments slow down. It is worth then reading the ease off it, which is 1.65, 1.22, 0.80, 1.94 and 3.09. It is worth then stating what shape that is, which is a fall and then a rise, and the Bethea in this same batch rises and then falls. It is worth then saying what that settles, which is that both shapes exist and both come from the grading, so the run's ease curve is not a property of the fit.

One hundred and seventy-three point five, and that is the third thing, and it is worth saying what the run asked for last batch before saying what this is. It is worth then recalling what the run got, which was a model with four body figures, and what it did with her, which was to test its own body table for the first time and find the bust four inches out. It is worth then reading what this model gives, which is a height and a size. It is worth then stating what the run can do with that, which is nothing, because it knows which column she stands in and nothing about her. It is worth then reading the height precisely, which is given to a tenth of a centimetre. It is worth then reading the chart, which is given in whole centimetres. It is worth then stating what that means, which is that the house measures its model ten times more finely than it measures its clothes. It is worth then saying what the run has been asking for throughout, which is precision, and where the precision went, which is into the one figure the run cannot use. It is worth then closing on the length. It is worth then reading it, which is 137 and frozen. It is worth then reading the Bethea, which is 132 and frozen. It is worth then stating the distance between two words that mean different lengths, which is five centimetres, and what neither dress does, which is move its length at all across five sizes. It is worth then stating where the length therefore lives, which is in the word and nowhere else.

Optional upgrades include the relaxed and hung chest figures with the measurement method stated, a composition line for the lining or a statement that the dress is unlined, the fabric weight in grams per square metre and the weave density, the waist measurement and the waist position from the shoulder, the sleeve width, armhole and cuff opening with the sleeve graded evenly, the front and back length given separately and graded across the sizes, the neck depth and width, the print scale, repeat and colourway count, the zip length, a stated fit word with the ease published for every size, a size conversion table and a model with body figures, shrinkage figures for both length and width, colour fastness to washing and rubbing, a care label with a temperature as a number and the cycle, drying and iron instructions, silk and recycled viscose options, midi and knee length options, short and elbow sleeve options, size set, colour development, private label and care labelling.

Pre-production sample approval, in-line inspection during cutting and sewing, and a final AQL inspection before packing, with measurement reports and photos shared before shipment.

Send us your tech pack, a photo or a reference garment and we will quote within 24 hours. Contact bafinasa@bafinasa.com or WhatsApp +86 13827222469.