Bias Cut Polka Dot Midi Dress - OEM

The Bethea Dress from Rixo, a navy midi dress in viscose crepe de chine cut on the bias, with an empire waist and adjustable tie, a V-neck, a lace-trimmed ruffle, short sleeves and a concealed side zip, listed at 265 GBP with one of its five sizes in stock. It is worth beginning with the chart, because this garment does something this run has never seen. It is worth then reading the three columns. It is worth then reading the sleeve, which is 19, 19, 19, 19 and 19. It is worth then reading the length, which is 132, 132, 132, 132 and 132. It is worth then stating what that is, which is two frozen columns out of three. It is worth then recalling what the run has found on nearly every garment, which is one frozen column, and it has always been the sleeve. It is worth then stating what this makes, which is the first garment in this run with two. It is worth then turning to the chest, because it is the only column that moves. It is worth then reading it, which steps 3, 3, 2 and 2. It is worth then stating what that series does to the ease, which is that the ease rises and then falls, in step with it. It is worth then saying what the run has concluded from that, which is that the ease curve is a property of the grading choice and not of the fit. It is worth then turning to the price, because this garment sits somewhere the run has been waiting for. It is worth then reading it, which is 265. It is worth then recalling the run's sleeve law, which is that below about 200 pounds the sleeve is frozen and above about 300 it is graded. It is worth then stating where 265 sits, which is inside the empty band the run has been asking about for two batches. It is worth then stating what this does, which is that it answers the question: the sleeve at 265 is frozen, so the boundary lies between 265 and 320. It is worth then closing on the cutting. It is worth then reading the prose, which says cut on a bias. It is worth then stating what bias cut does to a measurement, which is that a garment cut across the grain measures differently on the body than it does laid on a table. It is worth then saying what the run's whole method assumes, which is a figure taken flat, on a table, along the grain. The reference is the Bethea dress. Dongguan Bafinasa Garments Co., Ltd. develops comparable dresses on OEM and ODM terms, from fabric and trim development to retail or FBA ready packing. We publish this as a development reference and build your own version of it, and we do not supply the branded original or reproduce anyone else's label.

Key Features

• Cut on a bias as stated, for drape, with a consequence for every figure in the chart. See the note below
• Midi-length as stated, at 132 cm, which breaks the length ladder this run built one batch ago. See the note below
• A frozen sleeve at 19 cm and a frozen length at 132 cm, two frozen columns out of three, the first time in this run. See the note below
• Self 100% Viscose with Lace 100% Cotton, as stated, and the lace given its own line. See the note below
• Empire waist with adjustable tie as stated, with no waist measurement, no waist position and no tie length given. See the note below
• Lace-trimmed ruffle at the neckline as stated, with no lace width, no ruffle width and no ruffle depth given
• Unlined as stated, and the lace still given its own composition line
• Dry clean only as stated, with no temperature, no cycle, no drying instruction and no iron instruction, and one instruction for two fibres. See the note below

Customisable Options

• Cloth: a 100% viscose crepe de chine to the reference with the weight in grams per square metre and the weave density stated, or a silk crepe de chine with the momme stated, or a viscose and silk blend with both shares stated, or a recycled viscose with the certification named, each quoted separately
• Lace: a 100% cotton lace trim to the reference given its own composition line, with the lace width and the pattern repeat stated, or a cotton and viscose lace with both shares stated, or a self-fabric ruffle with no lace, each quoted separately
• Cut: a bias cut to the reference, with the measurement method stated and the relaxed and hung figures both published. See the note below
• Waist: an empire waist with an adjustable tie to the reference, with the waist position from the shoulder, the waist measurement and the tie length stated, or a natural waist with the same figures given, each quoted separately
• Fit and grading: a bias cut fit to the reference with every column graded, or a regular fit with every column graded and the ease published, each quoted separately
• Length: a midi length to the reference at 132 cm, with the front and back length given separately and the length graded across the sizes, or a maxi or knee length with the same treatment, each quoted separately. See the note below
• Sizes: five sizes to the reference, or a full size range with every size measured, the ease published for each and every size held in stock. See the note below
• Composition with every share stated for the self and the lace separately, fabric weight in grams per square metre and weave density, relaxed and hung chest figures with the measurement method stated, chest and waist with the flat or round method stated, sleeve length with its measurement point stated and its grading published, sleeve width, bicep and cuff opening, front and back length graded evenly, waist position from the shoulder, tie length, V-neck depth and width, ruffle width and depth, lace width and repeat, zip length, shrinkage figures, colour fastness to washing and rubbing, a care label with a temperature as a number, the cycle, and drying and iron instructions per fibre, size set, colour development, private label and care labelling

Specifications

Size Chart as Published by the Reference

The pit to pit figures are flat half measures taken with the dress laid down, doubling to 88, 94, 100, 104 and 108 cm around, or 34.65 to 42.52 in. Against bodies of roughly 33 to 41 in, the ease at the chest runs 1.65, 2.01, 2.37, 1.94 and 1.52 in, and this run derives that a grade of g centimetres flat moves the ease by 0.79g minus 2 inches per size, which gives plus 0.37 on the two 3 cm steps and minus 0.42 on the two 2 cm steps, matching the chart. Note that the ease rises and then falls, and that the turning point is exactly where the chest step drops from 3 to 2. Note that the sleeve is 19 cm on all five sizes and the total length is 132 cm on all five sizes, so this is the first garment in this run with two frozen columns out of three. Note that the fit carries no word anywhere, and the ease of 1.65 to 2.37 falls in a band this run's ladder has no word for, between fitted at about 0.5 to 0.8 and regular at about 8.4 to 9.5, so both the garment and the run are silent and the run's rule for silence cannot resolve it. Note that the dress is cut on the bias, and a bias-cut garment hangs differently from how it lies, so the published figure is the table figure and the body figure is something else, and nobody says what. No waist, hip, shoulder width, sleeve width or cuff is published, there is no model, no size conversion and no fabric weight, and only one of five sizes is in stock. Our proposal below publishes the relaxed and hung chest, the waist position, and every size held in stock.

Our Proposed Body Chart

Occasions and Styling

Suits occasion dressing, weddings and day-to-evening wear. A bias cut midi in crepe de chine with an empire waist and polka dot moves from a daytime event to an evening one, and the short sleeve takes a jacket over it.

Production and Quality Control

The reference publishes three measurements for all five sizes, states two fibres and gives the lace its own line, states that it is unlined, names its cut, waist, neck, ruffle, sleeves, tie, closure and pattern, states a cleaning method, and names its country of manufacture, and it carries six photographs and nine bullets. It gives no waist measurement or waist position for a garment built around an empire waist and an adjustable tie, no hip, shoulder width, sleeve width or cuff opening, no sleeve measurement point, no neck depth or width, no ruffle width, depth or count, no lace width or repeat, no tie length or width, no zip length, no dot diameter, repeat or colourway count, no fabric weight or weave density although it names the fabric, no measurement method or hung figure for a bias-cut garment, no fit word, no size conversion, no model, no temperature as a number, no cycle, no drying instruction, no iron instruction and no per-fibre care for a garment of two fibres, and no certification, and only one of five sizes is in stock. Three things follow: two frozen columns where this run has only ever seen one; an ease curve that turns exactly where the grading series turns, which shows the curve is a property of the grading and not of the fit; and a bias cut, which puts a limit on every ease this run has ever published.

Nineteen, nineteen, nineteen, nineteen, nineteen, and that is the first thing, and it is worth saying what the run has been counting before saying what this is. It is worth then stating what the run has found on nearly every garment, which is one column that does not move, and where it has always been, which is the sleeve. It is worth then reading the length on this one, which is 132 on all five sizes as well. It is worth then stating what that makes, which is two frozen columns out of three, and this run has never seen two. It is worth then turning to the only column that moves. It is worth then reading it, which steps 3, 3, 2 and 2. It is worth then reading the ease off it, which is 1.65, 2.01, 2.37, 1.94 and 1.52. It is worth then stating what the run sees, which is that the ease rises then falls, and the turn is exactly where the step drops from 3 to 2. It is worth then saying what follows, which is that the ease curve is not a property of the fit at all, it is a property of the step the house chose, and when this run compares two garments it is often comparing two grading choices rather than two fits. It is worth then turning to the price. It is worth then reading it, which is 265. It is worth then recalling the sleeve law, which is that below about 200 the sleeve is frozen and above about 300 it is graded. It is worth then stating where 265 sits, which is inside the band the run has been asking about for two batches with nothing in it. It is worth then stating what this does, which is that it answers the question at last: frozen at 265, so the boundary sits somewhere between 265 and 320.

Cut on a bias, and that is the third thing, and it is worth saying what this run's method assumes before saying what that does to it. It is worth then stating the assumption, which is that a published figure is taken flat, on a table, along the grain. It is worth then saying what a bias cut is, which is a cut across the grain. It is worth then stating what that does, which is that the garment stretches when it hangs, so the table figure and the body figure are not the same figure. It is worth then saying what is published, which is one of them, and which one, which nobody states. It is worth then stating what that does to the run, which is that every ease it has published is a table ease, and on a bias-cut garment the table ease is not the one that matters. It is worth then noting that this is the second bias-cut garment in this batch, and neither says how its figures were taken. It is worth then closing on the waist. It is worth then reading the prose, which names an empire waist and an adjustable tie. It is worth then reading the chart, which has no waist in it at all. It is worth then stating what that is, which is a mechanism standing where a measurement should be, and this run has now met that shape three times running: the pleat, the smocking, and now the tie.

Optional upgrades include the waist measurement and the waist position from the shoulder, the relaxed and hung chest figures with the measurement method stated, the fabric weight in grams per square metre and the weave density, the sleeve width, bicep and cuff opening, the front and back length given separately and graded across the sizes, the neck depth and width, the ruffle width, depth and count, the lace width and repeat, the tie length and width, the zip length, the dot diameter, repeat and colourway count, a stated fit word with the ease published for every size, a size conversion table and a model reference, every size held in stock, shrinkage figures for both length and width, colour fastness to washing and rubbing, a care label with a temperature as a number and the cycle, drying and iron instructions written per fibre, silk and recycled viscose options, maxi and knee length options, lined and unlined options with the lining fibre stated either way, size set, colour development, private label and care labelling.

Pre-production sample approval, in-line inspection during cutting and sewing, and a final AQL inspection before packing, with measurement reports and photos shared before shipment.

Send us your tech pack, a photo or a reference garment and we will quote within 24 hours. Contact bafinasa@bafinasa.com or WhatsApp +86 13827222469.