Silk Velvet Bordeaux Party Top - OEM

The Ursula Top in bordeaux from Rixo, made from silk rich velvet in a deep red colour, trimmed with lace and a satin bow, listed at 185 GBP with three of five sizes in stock. It is worth beginning with what this garment is, because this run published the black colourway of this same top one batch ago and can now set the two side by side. It is worth then reading the two charts, which are pit to pit 47, 49, 51, 54 and 57 on both, sleeve 35, 35, 35, 36 and 38 on both, and total length 45, 45, 45, 47 and 49 on both. It is worth then stating what that is, which is fifteen measurements across five sizes and three columns, and not one of them differs by so much as a millimetre. It is worth then adding what else is shared, which is the model height at 173.5 centimetres, the main fabric at 81 per cent viscose and 19 per cent silk, the lace at 79 per cent cotton and 21 per cent polyamide, the care instruction, the country of manufacture, and all seven bullets. It is worth then saying what is not shared, which is the style code and the colour word alone. It is worth then turning to the stock, because it is the part that proves what the shared chart means. It is worth then noting that the black is missing the UK 10 and the bordeaux is missing the UK 8 and the 16. It is worth then stating what follows, which is that if the two charts had been measured independently, the two garments would be independent objects, but the measurements match to the centimetre while the stock differs completely. It is worth then saying what that shows, which is that the chart belongs to the style and the stock belongs to the colourway, and the page presents one number set as though it described two different garments. It is worth then turning to the fit word, because it can now be tested twice. It is worth then reading it, which is cropped silhouette, and reading the length, which is 45 centimetres on a model of 173.5. It is worth then recalling the comparison from last batch, which is that the Tassia cardigan from this same house measures 39 centimetres and carries no length word at all. It is worth then stating what follows, which is that the cropped word sits on the longer garment, and now it does so twice, once on each colourway, on the same figure. The reference is the Ursula Top. Dongguan Bafinasa Garments Co., Ltd. develops comparable tops on OEM and ODM terms, from fabric and trim development to retail or FBA ready packing. We publish this as a development reference and build your own version of it, and we do not supply the branded original or reproduce anyone else's label.

Key Features

• Silk rich velvet as stated in the description, with the panel reading 81% Viscose and 19% Silk, identical to the black colourway. See the note below
• A cropped silhouette as stated, measured 45 cm, and 6 cm longer than a garment from the same house carrying no length word. See the note below
• Designed for a boxy fit as stated, with no hem width, no shoulder width and no waist given. See the note below
• Lace trims as stated, with a separate composition line giving 79% Cotton and 21% Polyamide. See the note below
• A satin bow as stated, with no composition, no size and no placement given on either colourway. See the note below
• Elbow-length sleeves as stated, measured 35 to 38 cm, with no bicep and no cuff opening given
• V-neck as stated, with no neck width and no neck depth given
• Button front fastening as stated, with no button count, no button size, no spacing and no material given
• Unlined for a non-restrictive feel as stated, with no opacity figure and no weight given

Customisable Options

• Cloth: a viscose and silk velvet to the reference, with both shares stated and the pile length published, or a silk velvet with the silk share raised to 50 per cent, or a 100 per cent silk velvet, or a polyester velvet, or a cotton velvet, each quoted separately and each with the pile length given
• Pile: a velvet pile to the reference, with the pile length stated in millimetres, or a short pile, or a long pile, or a crushed pile, or a plain velvet, each quoted separately
• Colour: a deep red to the reference, with a colour reference and a colour fastness figure published, or another colourway measured and charted separately rather than sharing the first colourway's chart, each quoted separately
• Trims: a cotton and polyamide lace to the reference, with the composition on its own line, and a satin bow given a composition of its own, or a lace trim only, or a bow in a stated fibre, each quoted separately
• Fit: a cropped boxy shape to the reference, with the hem width and the shoulder width stated so the boxy claim can be checked, or a regular fit, or a fitted shape, each quoted separately
• Length: a cropped length to the reference, with the front and back length both given and the length stated as a share of height, or a standard length, each quoted separately
• Composition with both shares stated and the prose matching the panel, pile length, trim composition for every trim on its own line, a colour reference and colour fastness figure, opacity where unlined, chest and hem width with the flat or round method stated, shoulder width, sleeve length with its measurement point, bicep and cuff opening, neck width and depth, button count, size, spacing and material, per colourway measurement where a colourway is offered, size set, colour development, private label and care labelling

Specifications

Size Chart as Published by the Reference

Every figure on this page is shared with the black colourway of the same style, which this run published one batch ago: the pit to pit, the sleeve and the length are identical across all five sizes, and so are the model height, both composition lines, the care instruction, the country of manufacture and all seven bullets. Only the style code and the colour word differ. Against bodies of roughly 32 to 40 in, the ease at the chest runs 5.01, 4.58, 4.16, 4.52 and 4.88 in, the same as the black. The sleeve holds 35 across the 8, the 10 and the 12 and the length holds 45 across the same three sizes, so across three of the five sizes the only thing that changes is the chest. No shoulder width and no hem width are published, so the boxy claim cannot be checked. Our proposal below grades all three columns, publishes the hem width and the shoulder width, and measures each colourway separately rather than sharing one chart.

Our Proposed Body Chart

Occasions and Styling

Suits evening and party wear. A lace trimmed velvet top in a deep red reads well with denim or over a sheath dress, and the bow and the elbow sleeve make it an occasion piece.

Production and Quality Control

The reference publishes three measurements for all five sizes, a model height, a separate composition line for its lace, a care instruction and its country of manufacture, and it carries five photographs re-shot for this colourway. Every measurement, and both composition lines, and the model height, and all seven bullets are shared unchanged with the black colourway of the same style. It omits the pile length, gives no composition for the satin bow on either colourway, gives no colour reference or colour fastness figure for the one word on the page written for this colourway, gives no shoulder width or hem width so the boxy claim cannot be checked, no neck width or depth, no bicep or cuff opening, no button detail, no opacity, no weight, no shrinkage figure and no certification. Three things follow: the third colourway pair in this run and the most complete, a cropped claim that can now be failed twice on the same figure, and a stock list that proves the chart belongs to the style rather than to the garment.

Fifteen, and that is the first thing, and it is worth saying what is being counted, because this run can now count it for the third time. It is worth then noting that this run published the black colourway of this same top one batch ago, and setting the two charts beside each other: pit to pit 47, 49, 51, 54 and 57 on both, sleeve 35, 35, 35, 36 and 38 on both, and length 45, 45, 45, 47 and 49 on both. It is worth then stating what that is, which is fifteen measurements across three columns and five sizes, and not one differing by so much as a millimetre. It is worth then adding what else is shared, which is the model at 173.5 centimetres, the main fabric, the lace, the care instruction, the country of manufacture and all seven bullets. It is worth then saying what is not shared, which is the style code and the colour word, and nothing else. It is worth then turning to the stock, because this is the part that proves what the shared chart means, and it is new in this run. It is worth then noting that the black is missing the UK 10 and the bordeaux is missing the UK 8 and the 16. It is worth then stating what follows, which is that if the two charts had been measured independently the two garments would be independent objects, but the measurements match to the centimetre while the stock differs completely. It is worth then saying what that shows, which is that the chart belongs to the style and the stock belongs to the colourway, and the page presents one number set as though it described two different garments. It is worth then noting what that does to the buyer, which is that a size 8 must be taken in black, a size 10 in bordeaux, and a 16 in black, so the colour and the size cannot be chosen independently. It is worth then adding the detail that closes it, which is that five photographs were taken again for this colourway and the fifteen measurements were not.

Forty-five, and that is the second thing, and it is worth saying what the word is before saying what the number does to it, because this run can now test the word twice. It is worth then reading the bullet, which says cropped silhouette, and the length, which is 45 centimetres on a model of 173.5. It is worth then recalling the comparison from last batch, which is that the Tassia cardigan from this same house measures 39 centimetres and carries no length word at all. It is worth then stating what follows, which is that the garment carrying the cropped word is 6 centimetres longer than the one carrying none, and now that is true twice, once on each colourway, on the same figure. It is worth then saying what this run has not been able to do before, which is fail the same claim twice on the same number. It is worth then turning to the trims, because the same omission appears on both colourways. It is worth then noting that the panel gives the lace its own line and crediting that, and then noting that the description also names a satin bow and that no composition is given for it, on the black and on the bordeaux alike. It is worth then saying what that makes the omission, which is duplicated rather than occasional. It is worth then adding what satin is, which is a weave and not a fibre, so the buyer is told the structure of the trim and not its material. It is worth then closing on the one word on this page that is not shared, which is deep red. It is worth then noting that no colour reference and no colour fastness figure is given for it, and saying what is unusual about that here, which is that the colour word is the only part of the page written for this colourway, and it is the one part with no number behind it.

Optional upgrades include measuring each colourway separately rather than sharing one chart across colours, publishing the pile length, giving a composition for the satin bow and for every trim, a colour reference and a colour fastness figure for each colourway, the hem width and the shoulder width so the boxy claim can be checked, grading the sleeve and the length across all five sizes instead of holding both flat across three, the neck width and depth, the bicep and cuff opening, the button count, size, spacing and material, the opacity where unlined, the weight, shrinkage figures, a dry clean instruction with the solvent named, 50 and 100 per cent silk velvet options, polyester and cotton velvet options, long, short and crushed pile options, plain and embroidered trim options, regular and tunic lengths, round and square necks, long and short sleeves, size set, colour development, private label, hangtag and care labelling.

Pre-production sample approval, in-line inspection during cutting and sewing, and a final AQL inspection before packing, with measurement reports and photos shared before shipment.

Send us your tech pack, a photo or a reference garment and we will quote within 24 hours. Contact bafinasa@bafinasa.com or WhatsApp +86 13827222469.