Women's with Pockets White Boho Maxi Dress

It helps to separate what the customer sees from what the factory feels. The outside is cotton voile or viscose crinkle in white, the inside is structure, and the two have to agree on the same sample. The first conversation about this style is usually about length. The second, if the buyer is serious, is about the inside: lining, interlining, and where the seams are pressed. Samples for this garment rarely fail on design. They fail on a measurement that was never written down, and a cloth that behaved differently from the swatch. Buyers arrive with a reference photo and a target price. The two numbers that decide whether that price is reachable are the cloth weight and how many seams run through the tier seam.

Ask for weight in gsm and composition as percentages, not trade names. Trade names do not travel well between mills. Approve colour under two lights, D65 and warm indoor. A black that reads neutral in an office can read green under shop lighting.

Structure and seams

Most of the handwork sits in a handful of steps, and each one has a right order. Drawstrings are threaded after washing the sample. A cotton cord that shrinks will pucker the channel. Loose weaves need a French or flat-felled seam. A plain overlock shows at the slit and at the hem.

The tier line is where the eye lands first, so it is also where a two-millimetre error shows. Set it from the pattern, not from the sample. When the brief names the tier line, allow extra cloth and extra time: it is cut from a separate panel and has to be matched for grain.

We fit the middle size on a live model, then check the smallest and the largest on real bodies, not on the form. On this style the difference between a good and a poor fit is usually two centimetres at the waist seam, not a redesign. Get the fit model measurements in the same units as the spec. Mixed units are the most common cause of a rejected first sample.

What goes on the spec sheet

What to check before bulk

• Tier seams pressed one way, making a ridge that reads through a light print.
• Cord channels sewn too narrow, so the drawstring jams after the first wash.
• Every detail placed by eye on the sample has to be measured on the pattern, or the size run drifts.
• Pressing decides the finish. A needle mark on a light cloth stays after QC, whatever the inspector does.

Set stitch density at 12 to 14 per inch on woven seams and check it at the machine, not on the finished garment. Keep one sealed bulk sample per colour. Six months later it is the only honest reference for a reorder.

What we can change for you

• Neckline: square with ties, V with a modesty panel, or elasticated.
• Print: stock, custom digital, or placement-matched at the front.
• Tier count and depth, priced per configuration.
• Sleeve: blouson, flutter, or straight with a ruffle.
• Private label: woven label, care label and hangtag to your artwork.
• Shell swap: the same block in a lighter or heavier cloth, priced separately.

The fit sample is where the pattern is corrected. Changes after this point cost time, not only money. Photograph each stage on the same model and keep the photos with the spec sheet. Most disputes end there. Sampling runs in three steps: a proto to check proportion, a fit sample to check the body, and a pre-production sample cut from bulk cloth.

Ask for two samples when the cloth is new to us: one in the buyer cloth, one in our closest stock cloth. The comparison usually settles the price question. Confirm the ship window against the mill calendar and the holiday shutdown before the purchase order is signed.

If you are developing this style, send us a tech pack, a photo or a reference garment and we will quote within 24 hours. Contact bafinasa@bafinasa.com or WhatsApp +86 13827222469.